by Libby
Just ahead, the Château promised warmth, a glass
of wine, a crusty bowl of French onion soup. Émile. But the Chief
Inspector stopped just short of the shelter, and stared. Not at the Château ...
but to another monument off to the left ... It was of a man looking out over
the city he’d founded four hundred years earlier. Samuel de Champlain. ... But still he stared at the father of Québec and
wondered. Where are you? Where did they bury you? And why don’t we know? (Bury
Your Dead, Kindle, p.106)
I love the sense of place and time that Louise
Penny has created, and the history connections she has made, in Bury Your Dead,
which allows us to immerse ourselves a little in a fascinating historical
narrative. Gamache has come to Quebec City to do just that, pass the time,
'Avec le temps', puzzling over and researching a mystery related to the Battle
of Quebec, as he tries to rest and recover.
Of course he then finds himself at
the intersection of two other mysteries, the death of Augustin Renaud and the
whereabouts of the burial place of Samuel de Champlain, the founder of Quebec.
Gamache elicits the help of his friend Emile,
and two of his associates, about the Renaud/Champlain mystery. Where better to
meet than in Bar Laurent, in the Chateau Frontenac and in sight of the statue
of Champlain (supposedly marking the spot where he died).
The St-Laurent Bar was at the far end of the
Château, down the gracious, wide, endless corridor, through the double doors
and into another world. ... For curving along the far wall of the bar were
windows. Tall, framed in mahogany, wide and mullioned. Out of them opened the
most splendid vista Gamache had ever seen. True, as a Québécois, no other view
could ever match up. (Bury Your Dead, Kindle, p.106-7)
While the site of Champlain's burial will continue to remain a mystery, Gamache is left wondering, on a bitterly freezing winter's day, about Champlain's incredible achievements 400 years earlier, his legacy and the character of the man.
And even Gamache, who was no great fan of
nationalism, felt wonder, awe, at the unshakable vision and courage of this man
to do what many had tried and failed. To not just come to these shores to
harvest furs and fish and timber, but live here. Create a colony, a community.
A New World. A home. (Bury Your Dead, Kindle, p.106)
Most people’s achievements and legacy are not
quite so extraordinary but it made me think about the importance of looking
back, and seeing where we've come from and what has shaped our human condition,
our life story, how a society and families have been shaped, influenced and
changed against a backdrop of social, political and cultural influences and
events.
And as I make French onion
soup I reflect on how we understand more of ourselves, our
identity, our humanity, through our own and others' stories. Isn't that why
narrative is so important, helping us to understand our own story, and empathise with others? Perhaps more than ever today it is important to explore our connections
to other people, places and times, to understand a family's or a people's
circumstances and their desire or need to change them, to migrate, to start
over, elsewhere. And the risks taken and the opportunities afforded.
Some people work very hard to find out about
their forebears, to understand and appreciate their legacy. We like to know
where we come from, the decisions and actions, even gambles taken by those before us, that are
pieces in the puzzle of our own lives, and for some also the result of being ‘collateral
damage’ of history's events. I imagine very few people don't have stories of
migration in their family histories. If for no other reason, finding out about them reminds us that we've all come from somewhere, or needed to leave
somewhere, looking for opportunity, or to be free or safe, for the promise of a
better life, or even maybe in search of adventure.
I have a friend who is on a determined pathway
to research her family roots. In the most scholarly way (in a research and
literary sense) she has told the story of her maternal great, great
grandparents’ migration to, and settlement in, Australia. She has re-created
their lives in detail, and told their story against the socio-economic
and cultural background of the 19th and early 20th centuries. She writes extremely well and
the social, cultural and economic history of those times in her book is rich and
fascinating in its detail. You can imagine how interesting it is to have such a family narrative with its vision, dreams, life-changing
decisions, opportunities, expectations, disappointments, sense of character and time and place, and with the generational impact of it all to be reflected on.
Sometimes the pathway to finding out about family is not quite so determined. It might simply be a puzzle that presents
itself, asking to be solved.
Just the other day I heard the English writer
Patrick Gale speak about his latest book, A Place Called Winter. It's his first
work of historical fiction, and is loosely based on the circumstances of his
great grandfather's life. By chance, Gale happened to see two photos of a man
at his aunt's house, one showing a young well-to-do Edwardian Englishman, and
the other of an impoverished, toothless elderly man. What he discovered was
that they were the same man, his great grandfather, who had never been spoken
about, and who he knew nothing about. As a young man his great grandfather had
been forced to leave his wife and child, his fortune and his London home, under
an ignominious cloud. He settled and lived a mostly isolated life in the
prairie wilderness of Canada and tried to eke out a living on the land, about
which he knew nothing. Gale set out on a voyage of discovery, uncovering the struggle,
despair, fortitude and emotional truth of someone who was one of the
'disappeared', unwanted by his family or society. And he poignantly tells that story, and it is an elegy to others like him.
I was left thinking of what it is like to uproot
your life and venture to the other side of the world, to what could be a
hostile environment, to battle adversity because of the hope or promise of a
better life, greater freedom, improved economic circumstances. For many it is
about being forced to give up what they know in the hope of a safer life, free from persecution, of peace and better opportunities
for their children.
Had their hopes and expectations been fulfilled? Did they feel
isolated, having to endure the hardship of being treated suspiciously or not
easily accepted, perhaps even alienated by some of those who have come before
them, who have forgotten (with their moral sense somehow in absentia), that
they too were once new arrivals. Or had they been welcomed and accepted and
respected for the social, cultural and economic contribution they could potentially make. Woven
threads adding colour and texture and form to the fabric of society.
We all have a story.
So quite a bit was cruising through my head as I
stirred the onions...
French Onion Soup
To me this is the simplest of soups and yet
deliciously complex. I love it! It's wonderful flavours and textures rely on
good ingredients and a little love and attention to the cooking. I don't make
this when I'm in a rush to get tea on the table. It just won't taste as good or
feel as good in your mouth.
There are lots of variations of this soup,
depending on choice of stock/broth, type of onions and cheese, red or white
wine, use of herbs and various other condiments. Sometimes I think too much
stuff can be added to a dish where there isn't the need for it.
I've pared this
soup back to the basic, essential ingredients, with just a minor flourish at
the end with a dash of brandy. And it certainly doesn't need flour to thicken
it. Good unsalted butter is essential. Don't be tempted to substitute oil.
The
cooking technique is the key to bringing out the rich, complex flavours. The
time given to the cooking and the slow caramelising of the onions is critical.
It needs to be a slow, closely monitored process. A cold day with time on your
hands, and maybe an audiobook to listen to, would be ideal.
This recipe serves
two as a meal or four as a starter.
4 brown onions
4 cups of chicken stock
4 tbsp
unsalted butter
1/2 cup of white wine (Pinot Gris)
1 tbsp brandy
sea salt and
cracked black pepper
1 cup of grated Gruyere cheese
4 thick slices of crusty
bread
1. Peel and halve the onions from stem to root.
Remove and discard the hard root ends. Slice the onion halves thinly,
crosswise.
2. Melt the butter in a heavy-based saucepan over a low heat. I used a
French oven (enamelled cast iron) which is perfect for cooking this soup.
3. Add
the onion and a generous pinch of salt. Let them slowly sweat and cook,
stirring occasionally. Reduce the temperature to ensure that the onions do not
start browning too early. Cover partly with a lid as the onions slowly soften
without browning.
4. Slow cook them, up to an hour or more, to bring out the amazing sweetness in the onions. There
is no need for sugar. Add a pinch or two of salt along the way to enhance the
flavour.
5. As the onions gradually take on some colour, increase the heat
slightly and stir, allowing them to caramelise until they are a deep golden
brown. Adjust the temperature so that they don't burn and become bitter.
6. Pour
in half the white wine to deglaze the pan, stirring constantly.
7. Add the
chicken stock and the rest of the wine. Bring to a very gentle simmer and allow
to cook for another 40-60 minutes until the liquid has reduced by a third. The
flavour will be more intense and the soup will have thickened.
8. Taste along the
way and season with more salt and a little pepper if necessary.
9. Add the
tablespoon of brandy at the end of cooking and stir. Both the wine and brandy
at once contrast with and complement the sweetness of the onions.
10. Toast the
slices of bread. Pile one side of each toast with a generous mound of Gruyere
cheese (emmentaler cheese can be substituted). Gruyere has a wonderful
nutty flavour and elastic texture. Melt under a grill until bubbling and starting to
colour.
11. Ladle soup into bowls. Float a toast on top of each bowl and drizzle
another small spoonful of soup on top. Serve immediately.
Bon appetit!
Wonderful! We stayed at the Hotel Frontenac the first time we went to Quebec. Long before Gamache. What a beautiful bar!! We had some great drinks there. We were at a conference. It was summertime. It is a wonderful city. I can't imagine being there in the winter. The book is so deep. She is telling several stories here, Champlain, the raid on the factory, the start of Jean Guy's spiral, Olivier's story, and the history of Quebec. She is such a great author. Thank you for your thoughtful post.
ReplyDeleteHi Nancy, I had a very memorable stay with a couple of great friends at the Chateau Frontenac, not to mention drinks in that bar as well. It's actually called Bar 1608 now, after the year that Quebec City was founded.
DeleteYou're absolutely right about the book. It has so many layers and it begs to be re-read. Gamache considering Champlain and his story, and then having the chance myself to visit and explore Quebec City set me off on this tangent! :)
Thank you for being a part of this with us. Cheers!!
So glad I had a chance to visit the blog tonight! This is one of my favorite books, favorite cities, and favorite soups! Also, discovering one's own family history is fascinating. I've tinkered with genealogy over the years, and I can relate to others who go on that adventure. As always, I love the memories of our trip to QC, the beautiful photos of your food prep, and the thoughtful writing. Bon appetit!
ReplyDeleteI'm actually finding it hard to move on from this book Bev for all the reasons you've given! Wonderful memories indeed!! And food and drink is so important to good memories of places, I find! :)
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