Reading may seem like a solitary pleasure, but we do not believe it is so. As we read, we intimately interact with writers, the worlds they create, and our own inner selves as well as the real world that surrounds us. Some of us are also blessed enough to have friends to share the experience with.

While discussing the idyllic village of Three Pines and the captivating characters author Louise Penny created in the Inspector Gamache books, we were aware of the sensory pleasure to be had in the meals described. Olivier’s Bistro, Gabri’s baking, and dinners at the Morrow’s can easily make us salivate while reading the books… Louise Penny's books, are a wonderful entrée into a sensual world, where each book is a season, capturing its mood and flavours, and contributing to the layers of meaning about the characters, who are marvellously revealed over the series.

At one point, a daydream of going through the series with a notebook in hand, writing down all these meals and later cooking them, took shape. This is our "notebook". We hope you enjoy this literary-culinary-sensory-philosophical journey.

Showing posts with label How The Light Gets In. Show all posts
Showing posts with label How The Light Gets In. Show all posts

Friday, January 6, 2017

Chicken Casserole

by Amy

I unforgivably forgot to take pictures. THREE times. I make this casserole frequently and it's always a hit. I keep forgetting to take pictures, though, because it's just one of those "I'll-make-this-because-I-don't-know-what-else-I-should-make-tonight" meals. Do you have any of those?

Finally Gilles shook his head."People have been trying to get it for years. Legal or bootleg. It just can't be done. Désolé."
And that is how Gamache felt, as he thanked Gilles and walked away.
Desolated.
"Well?" asked Thérèse. 
"He says it can't be done."
"He just doesn't want to do it," said Superintendent Brunel. "We can find someone else."
Gamache explained about the wind, and saw her slowly accept the truth. Giles wasn't being willful, he was being realistic. 

Some things really can't be done.

It's a hard lesson to teach our children. It's a hard lesson to teach ourselves.

Some things simply won't work. Won't happen. No matter how much we will it to be true.

What they wanted of Gilles was impossible.

Giles started at her as though she'd suggested something disgusting. "Why these questions?"
"Just curious."
"Don't treat me like a fool, madame. You're more than just curious." He looked from the Brunels to Gamache.
"We'd never ask you to cut down a tree, or even hurt one," said the Chief. "We just want to know if the tallest trees up there can be climbed."
"Not by me, they can't." Gilles snapped. 
Impossible.

What they ask is impossible.

What they don't know is that they're asking for the wrong thing.

It's so easy, in fiction, to spot miscommunication. Countless novels are based on precisely that premise. One character says one thing, thinking the other understands what he means and the other construes a whole other meaning to it. Romance novels use it as a means to "keep characters apart" until they work through and beyond the big misunderstanding. Mysteries use them as red herrings or even ways to stall evidence from being used. It's there, but not understood by either character or reader.

In this particular book, HOW THE LIGHT GETS IN, it happens when Constance makes her revelation and no one understands what she has said. She believes she has unveiled the secret that has been kept hidden for decades. It remains a mystery until after her death. It was a hard one to crack.

If only that were limited to fiction.

Communication is not just about what we say. It's about what the other understands, interprets and answers (based on their understanding) and how we understand and interpret their answer based on what we think we said (which may not be what they heard), what we think they know (which they might not) and what we ourselves think.

Have I confused you, yet?

The trick to good communication is learning when to take a moment, step back, and reassess what we think we know. In talking to a friend yesterday, she relayed a conversation she'd had in the past weeks where she realized she was interpreting someone's words one way, when they could be meant another. This friend is mature enough to have approached the person to say, "When you said this, this is what I heard. Could you please just confirm or deny that I've understood what you meant so I don't misconstrue what we are talking about?"

Therese Brunel, in this scene, was unwilling to give Gilles much information at all. Based on her questions, he was feeling slightly offended and exposed and had no real reason to cooperate. Gamache, on the other hand, chose to share a little bit more of what he needed. While he didn't reveal more than he could or should, he gave Gilles enough information to tell him what he really needed (access to the Internet) as opposed to what he wanted from Gilles in order to put his own plan into action. Because Gamache was willing to share the bigger goal and not just "need to know" information, Gilles was able to come up with a solution.

Gamache felt a hand on his elbow and was drawn by Gilles into a far corner of the kitchen. "I think I know how to connect you to the Internet." The woodsman's eyes were bright."
Human interaction is fascinating, miraculous, beautiful and so fulfilling.

It's also frequently confusing and so easy to mess up.

I think that's part of being kind and empathetic and understanding and, I suppose, grown up. Giving ourselves - and those around us - a chance to rephrase or explain before we react. Listening to the meaning more than the words. Straining for that which is between the lines and unspoken. Giving others the benefit of the doubt when their words seem hurtful. Remembering that the meaning we give to words and interactions is tinted by the hue of our past interactions, our feelings, and our goals.

I hope you've all had a lovely Holiday season and are enjoying this new year.

The casserole was in the oven and they could smell the rosemary chicken. 
My casserole doesn't have rosemary in it... but I'm going to try to add some next time. I'm pretty sure it would end up well.

Chicken Casserole

Ingredients
Cubed or shredded chicken (quick boil/cook before placing in casserole dish or canned chicken works, too)
Cream Cheese
Onion Soup Mix (I use two packages)
Whipping Cream or Half and Half
Corn (1 can)
Milk, if needed

This isn't the original recipe. This is as close as I can get using American ingredients. If I don't have cream, I just add milk, but less of it. If I don't have cream cheese, I just add lots of shredded parmesan (cream cheese tastes better here, though). Sometimes I add breadcrumbs and/or grated parmesan over it all before baking.

Place chicken (about 4 breasts) in dish. Mix other ingredients in blender or food processor. Pour over chicken (it should be a thick mixture). Bake at about 375oF for about 30 to 40 minutes.

I serve it with rice and shoestring fries.

I have yet to find someone who doesn't enjoy it.

Friday, October 21, 2016

Lentil Soup & Unfashionable Beliefs, Kindness, and People Who Are Willing to Express Both

by Amy


“Why in the world would you confront Inspector Beauvoir? Especially now?”
“It’s difficult to explain.”
“Try.” 
“Honestly, Thérèse, can it matter at this stage?” 
“Does he know what you’re doing? What we’re doing?” 
“He doesn’t even know what he’s doing,” Gamache said. “He’s no threat.” 
Thérèse Brunel was about to say something, but seeing his face, the bruise and the expression, she decided not to. 
[…] 
They’d already eaten, but saved some for Gamache. He carried a tray with [lentil] soup and a fresh baguette, pâté and cheeses into the living room and set it in front of the fire.

This meal takes place in the quiet of the night, amidst low voices and in the presence of friends. There’s turmoil, though. This is the last meal before the culmination of the “last battle” he’s been planning for months – maybe years. He knows this could be his last meal, his last night, his last chance to make things right.

“Why did you go to Beauvoir?” 
Gamache sighed. 
“I had to try, one more time.” 
She looked at him for a long moment. “You mean one last time. You think you won’t get another chance.” 
They sat for a long moment. Thérèse kneaded Henri’s ears while the shepherd moaned and grinned. 
"You did the right thing,” she said. “No regrets.”

It’s easy for her to say he should have no regrets.

At the risk of being controversial, I think only those who don’t care enough can truly say they have no regrets.

Regret and remorse aren’t the same thing. Regret, unlike remorse, doesn’t necessarily involve guilt. 

Where there is regret, there is disappointment in opportunities missed, frustration with unwelcome outcomes, or sadness due to occurrences that might be beyond the scope of control. I don’t think it’s possible to live life and have no regrets. There are so many regrettable things in life.

Both feelings have to do with the past, but the main difference is in how we would do things if given the chance to change our actions. Where there is remorse, there is guilt, and I think the predominant feeling is that if we could just go back in time and choose another path, all would be well. Regret is less straightforward. It is possible to regret the outcome, but not the action that lead to it. It is possible to regret the pain you cause someone, but realize that there was little else you could do. It is possible to own up to the responsibility, but understand that it is not the same as guilt.

Regret and remorse aren’t the same, but they’re close and both can cause a deep ache.

Gamache undoubtably regrets that Beauvoir is so lost. His protege and friend is so far gone that “he doesn’t even know what he’s doing”. Gamache regrets that he feels abandoned and betrayed and hurt and alone. He regrets that he had to leave him in the factory, that Beauvoir didn’t listen when they tried to reach out, that boundaries had to be set, that Annie set up boundaries and, ultimately, left him.

While regret and remorse aren’t the same, niggling feelings of guilt tickle at Gamache and make him wonder if he could have done any differently. He blames himself even if there isn’t anything to blame. He regrets.

And he’s running out of time.

The scene where he confronts Beauvoir, a few hours before he sits to eat his soup, is one of the most powerful scenes in the books to me. There is so much love and kindness in these books and one of the central love stories is this one. Gamache and Beauvoir. The Chief Inspector and his Right Hand Man. Mentor and Protégé. Teacher and Star Pupil. Father Figure and Adopted Son. Father and Son-in-Law. Friends. Family. This is one of the most beautifully written relationships in fiction. To me, that is. But it's not secret that I have a soft spot for Beauvoir. Not to mention a book crush.

He walked straight toward his goal. Once there, he didn’t knock, but opened the door and closed it firmly behind him. 
“Jean-Guy.” 
Beauvoir looked up from the desk and Gamache felt his heart constrict. Jean-Guy was going down. Setting. 
Come with me,” Gamache said. He’d expected his voice to be normal, and was surprised to hear just a whisper, the words barely audible. 
“Get out.” Beauvoir’s voice, too, was low. He turned his back on the Chief.

Can you imagine the pain? 

“Well, take your fucking perfect life, your perfect record and get the fuck out. I’m just a piece of shit to you, something stuck to your shoe. Not good enough for your department, not good enough for your daughter. Not good enough to save.” 
The last words barely made it from Beauvoir’s mouth. His throat had constricted and they just scraped by. Beauvoir stood up, his thin body shaking. 
I tried…” Gamache began. 
“You left me. You left me to die in that factory.”

This broke my heart. I cried.

Not good enough to save.

I think none of us are good enough to save. And yet, while we are all unworthy, we are all redeemable. By Grace. By Love. And made whole and lovable and “good enough”.

Not good enough to save.

There are echoes of Beauvoir's own words, years earlier, when they went into a burning building to save Agent Nichole. Beauvoir questioned their heroics then, even as he followed Gamache into the flames. She isn’t worth it. Gamache challenged him to think of someone he loved, imagined it was them in that burning building, and then face the flames.

Not good enough to save.

He’d clung to Gamache’s hands, and to this day Gamache could feel them, sticky and warm. Jean-Guy had said nothing, but his eyes had shrieked. 
Armand had kissed Jean-Guy on the forehead, and smoothed his bedraggled hair. And whispered in his ear. And left. To help the others. He was their leader. Had led them into what proved to be an ambush. He couldn’t stay behind with one fallen agent, no matter how beloved.

There is regret. Painful, unsettling, heart wrenching regret.

But Armand Gamache knows he did what he had to do. He couldn’t have done any differently.

He’d known the unspeakable comfort of not being alone in the final moments. And he’d known then the unspeakable loneliness Beauvoir must have felt. 
Armand Gamache knew he’d changed. A different man was lifted from the concrete floor than had hit it. But he also knew that Jean-Guy Beauvoir had never really gotten up. He was tethered to that bloody factory floor, by pain and painkillers, by addiction and cruelty and the bondage of despair. 
Gamache looked into those eyes again.They were empty now. Even the anger seemed just an exercise, an echo. Not really felt anymore. Twilight eyes.

Jean-Guy had been so full of life, of potential, of intelligence. Look at him now! He’s in the pit of despair.

“You left me to die, then made me a joke.” 
Gamache felt the muzzle of the Glock in his abdomen and took a sharp breath as it pressed deeper. 
[…] 
“You have to get help.” 
“You left me to die,” Beauvoir said, gasping for breath. “On the floor. On the fucking dirty floor.” 
He was crying now, leaning into Gamache, their bodies pressed together. Beauvoir felt the fabric of Gamache’s jacket against his unshaven face and smelled sandalwood. And a hit of roses. 
“I’ve come back for you now, Jean-Guy.” Gamache’s mouth was against Beauvoir’s ear, his words barely audible. “Come with me.” 
He felt Beauvoir’s hand shift and the finger on the trigger tighten. But still he didn’t fight back. Didn’t struggle. 
Then shall forgiven and forgiving meet again. 
“I’m sorry,”said Gamache. “I’d give my life to save you.” 
Or will it be, as always was, /too late? 
“Too late,” Beauvoir’s words were muffled, spoken into Gamache’s shoulder. 
“I love you, Armand whispered. 
Jean-Guy Beauvoir leapt back and swung the gun, catching Gamache on the side of the face.
[…] 
“I could kill you,” said Beauvoir. 
Oui. And maybe I deserve it.” 
“No one would blame me. No one would arrest me.” 
And Gamache knew that was true. He’d thought if he was ever gunned down, it wouldn’t be in Sûreté headquarters, or at the hands of Jean-Guy Beauvoir. 
“I know,” the Chief said, his voice low and soft. He took a step closer to Beauvoir, who didn’t retreat. “How lonely you must be.” 
He held Jean-Guy’s eyes and his heart broke for the boy he’d left behind. 
“I could kill you,” Beauvoir repeated, his voice weaker. 
“Yes.” 
[…] 
“Leave me,” Beauvoir said, all fight and most of the life gone from him. 
“Come with me.” 
“No.”

I can only imagine how painful that was. For both of them.

I stole one of my husband's sunset pictures - he's obviously a better photographer than I am.


I know. I speak of them as though they were real.

They are.

There are Gamaches and Beauvoirs everywhere. Annies and Beauvoirs. Sometimes, regardless of how much love is involved, boundaries must be set. Neither Gamache, nor Annie, despite their deep love for Jean-Guy, could follow him to the bottom. Sometimes, although your heart breaks, you have to confront the spiraling self-destructive behavior.

My heart breaks for Beauvoir. I can empathize with Gamache.

I confess, though, that in this scene I’m not sure who I feel for most. Beauvoir, at this point, is almost numb. Empty. Only half alive. Gamache is intensely alive, overflowing with love and sorrow for this child of his heart. Beauvoir is closer to him, in so many ways, than the children that share his blood. 

And he lost him. He’s grieving for the man he used to know and for the man Beauvoir might never become.

Armand Gamache had always held unfashionable beliefs. He believed that light would banish the shadows. That kindness was more powerful than cruelty, and that goodness existed, even in the most desperate places. He believed that evil had its limits. But looking at the young men and women staring at him now, who’d seen something terrible about to happen and had done nothing, Chief Inspector Gamache wondered if he could have been wrong all this time. 
Maybe darkness sometimes won. Maybe evil had no limits. 
He walked alone back down the corridor, pressed the down button, and in the privacy of the elevator he covered his face with his hands.

We rarely see Gamache give in to hopelessness. I think it is a measure of how heavy his heart is that he is on the brink of hopelessness here.

Just sharing the autumn mood - only decorated corner of the house - on this chilly day perfect for a bowl of soup!


I am so glad for Grace. For Redemption. Second Chances. Faith. Hope. Love.

I am so glad Jean-Guy is restored to himself. No, better than his former self. He is redeemed and is surprised by joy and becomes stronger where he had been broken. He is told, by his mentor, friend, and father-in-law, that he is a brave man in a brave country. He marries Gamache’s daughter and becomes the father to his grandson. He resumes his role as an Inspector, and continues to be Gamache’s loyal supporter, following him even as he makes difficult career choices.

He is redeemed. The boy Gamache thought was lost, is found. Darkness did not win.

As a reader. I was content already.

Then this scene came along, in A GREAT RECKONING.

** The scene that follows is not a spoiler, but if you'd rather not read anything from the latest book, skip and go to the recipe!

Oh Jean-Guy… You have outdone yourself. Bliss.

Louise Penny has openly spoken of her own battle with addiction and how she was surprised by joy and grace and forgiveness. She has touched so many of us with her stories, her insight into human character and interaction, and the grace and hope she writes in her books.

Jean-Guy, like Penny, has managed to turn his pain into strength.

There is a crack in everything. That is how the light gets in.

And he shines in this latest book.

“I thought I had the world figured out. Then everything I knew to be true, I started to question. And I hated him for it. […] But then the hate shifted,” said Beauvoir, speaking as though telling him a fable, a bedtime story. “I began to hate the very people I’d trusted. The ones who told me the world was filled with terrible people and that brutality was the same as strength. I’d learned to hit first and hard, and fast. 
[…] 
The world turned upside down,” Beauvoir continued. “It was at once more beautiful and more frightening than you’d been led to believe. And suddenly you didn’t know what to do. Who to trust. Where to turn. It’s terrifying. Being lost is so much worse than being on the wrong road. That’s why people stay on it so long. We’re too far gone, or so we think. We’re tired and we’re confused and we’re scared. And we think there’s no way back. I know.”
“When someone shoots at us, we return fire,” said Jean-Guy. 
Now Jacques did nod. 
“But it’s equally important that when someone is kind to us, we return that as well,” he said quietly. Careful. Careful not to scare the young man off. 
“It took me a very long time to come to that. The hatred I felt for Monsieur Gamache, and then the others, shifted again, and I began to loathe myself.” 
“Do you still?” Jacques asked, finally turning from the window, from the wasteland. “Hate yourself?” 
Non. It took a long time, and a lot of help. Jacques, the world is a cruel place, but it’s also filled with more goodness than we ever realized. And you know what? Kindness beats cruelty. In the long run. It really does. Believe me.” 
He held out his hand to the young man. Jacques stared at it.
“Believe me,” Jean-Guy whispered. 
And Jacques did.

LENTIL SOUP



I considered making a recipe that included bacon, but then I realized I was probably the one who would be doing most (all) of the eating, so I made a vegetarian version that appealed to me more.

Ingredients:
-          1 tablespoon olive oil
-          1 onion
-          3 small carrots
-          1 leek (only the white part)
-          1 green onion
-          2 cloves of garlic
-          1 bay leaf
-         Dried oregano (about 1 teaspoon) (also some pepper flakes, maybe an extra bay leaf and some thyme)
-          Salt & pepper (to taste)
-          Broth (I used chicken because it’s what I had, but a true vegetarian might use vegetable)
-    Water (I started out with about a liter of broth, but added both more broth and more water in unquantifiable amounts because I added as needed)
-          1 can of tomatoes and their liquid
-          1 package (about 2 ½ cups) of lentils
-          1 teaspoon red vinegar
-          2 or 3 cups of chopped spinach leaves

Instructions

Heat the oil and add onion, carrots, green onion, leeks and garlic until softened. Season with salt and pepper (if you’re like me you’ll add too much of something and slap yourself in the forehead and try to fix it later – it’s usually redeemable).

Add the broth and the tomatoes. Since I don’t like watery soups, at this stage, I put most of the veggies and tomatoes in a food processor and blended them, then poured the thicker mixture back into the pan before adding the lentils. This is optional.

Add lentils and the bay leaf. Allow to simmer for about 30 minutes. Add more liquid (broth/water) if necessary. Add the red vinegar and the spinach leaves and simmer for another 3 to 5 minutes before serving. I added a dollop of sour cream and, bemoaning the fact that I didn’t have a yummy baguette to accompany the soup, I sliced up some smoked cheddar to accompany the meal. Meals, actually. I enjoyed it so much it was both lunch and dinner.

This was the perfect soup for reflecting and enjoying the rainy cloudy autumn day.




** All quotes, unless otherwise stated, are from Louise Penny’s HOW THE LIGHT GETS IN or THE GREAT RECKONING